Want to be a Children’s Book Illustrator? Part I

Christine Griswold Artist Profiles, Career Advice, Illustration, Visual Arts, Writing

Meet Award-Winning Children’s Book Illustrator LeUyen Pham.

PART I
tales of education and her early career

“One of the nicest things about the field that I’m in is that it allows me to constantly grow
and change and develop and learn.”

Although she never took an art class until college, children’s book illustrator LeUyen (la-win) Pham has illustrated over 80 published books in a variety of styles and genres over the past fifteen years (and has even written a few as well.) A unique combination of talent, humility, intelligence, passion, and an infectious laugh have helped propel her career in the competitive world of illustration. She strongly encourages you to follow your own compass, and to always draw in ink.

SHE WASN’T SUPPOSED TO BE AN ARTIST

You know, I think I have always loved kids books. Probably because I was an immigrant kid, my parents didn’t read to me and I didn’t have a lot of books, so I was just one of those “library-obsessed” kids, like the nerdy kid who was best friends with their English teachers who were always referring me to books. But I didn’t think I was gonna do it for a living simply because my parents never thought that an artist could make it, and they never encouraged it as a pursuit to have.

Children's Book Illustrator LeUyen PhamIn my family I’ve got three brothers and a sister, and all of us were encouraged to take professions that were money-oriented. So my sister became a doctor, my brother became a banker, my other brother became an engineer—it’s like they were each slated for a role, and I was supposed to be the lawyer. And I actually did go to UCLA and I was a poli-sci (political science) major there for two years.

I took a drawing class for fun—a humanities requirement of some sort– and I will never forget it. The art teacher there was a Fine Artist, and he had us bring in what we thought was a great drawing (of ours). And I didn’t know what a “great drawing” meant. I didn’t know that people used models or anything. But I went home and I thought, “I’m really gonna impress these people,” and I sat down and I made up these two figures dancing. I didn’t draw it from life so, recalling it in my head, I’m sure it was a horrible drawing, but at the time I was really proud of it. I put it up in class, and my art teacher went up, and he looked at it and he was like, “OK, so this is a nice drawing. Where did you copy it from?” And I’m really proud of myself and I say, “Oh, I didn’t copy it. I made it up.” And then he laughed and he said, “No. Where did you copy it from?” And he wouldn’t believe me, and I felt this small in the class and I was really upset.

So after class I took the drawing down, and I went to the head of the Art Department and I was explaining to him what had happened. The head of the Art Department was like, “You’re going to have to show me other drawings that you’ve done,” and I was thinking, “Wow—this guy doesn’t believe me either!”   So I go home and I start digging through all of my high school drawings and sketches, and I literally just dumped the pile of drawings on his secretary’s desk and I said, “He asked for these. Let me know what he thinks.” And then a week later he gave me a call and he said, “I’ve made an appointment for you to meet with someone at the Art Center college in Pasadena. I want you to go. You’re in the wrong school—you don’t belong here.” It was amazing! And I was shocked, and I went to see the school, and they looked at my stuff and they said, “Yeah, you need to come to art school. Submit this as your portfolio and you’re done.” And that was it. I never looked back after that.

“I felt so right for the first time in my life”

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